Sexuality

Aliens R Us: The Other in Science Fiction Cinema by Sean Cubitt, Ziauddin Sardar

By Sean Cubitt, Ziauddin Sardar

Aliens R Us explores the worldwide tradition of technological know-how fiction cinema, and particularly its presentation of up to date pictures of the opposite. Taking as a kick off point the recognition of foreign varieties reminiscent of eastern Manga and Hong Kong sci-fi, as well as the good fortune of flicks resembling The Matrix and tv sequence equivalent to Deep area 9, the participants study the technological know-how fiction style as a global, populist type of social research. In doing so, they talk about matters similar to Orientalism, expertise, apocalyptic futures, xenophobia, militarism and the position of ladies. such a lot modern stories examine the normal features of technological know-how fiction,with its allegorical rendering of up to date existence, frequently on the subject of the USA. This ebook strikes past a in basic terms primary research, assessing ecu and Asian movie paintings, discussing their various representations of the opposite, and what this finds approximately renowned perceptions of world tradition and society. Case stories contain Independence Day, big name Trek: First touch and till the top of the realm, as well as chapters on Eco-Apocalypse and new French sci-fi and New Manchester Ecstasy sci-fi.

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Extra resources for Aliens R Us: The Other in Science Fiction Cinema

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Marty Gilbert (Harvey Fierstein) the token ‘gay’ man in the film is similarly two-dimensional – decidedly camp and ludicrous. His ineffectuality means he can be easily dismissed. This begins to expose the limits of the film’s pretence at representing different identities. ). At the same time this phrase capitalises on all those familiar stereotypes of American Jews – WASP values permeate! In contrast to Jasmin, First Lady Patricia Whitmore (Mae Whitman) embodies the ‘virtuous feminine’ patriarchal ideal, the vanilla accompaniment to the masculine WASP.

In the first instance we can refer to the concept of ‘reflections’. This approach suggests that the overt contents of science fiction contemporaneously mirror the social trends and attitudes of the time. Thus such films can almost be taken as sociological evidence, albeit metaphorically, as reflections of the preoccupations of particular cultures. The second approach is the notion that science fiction films are ideological in that they are cinematic mediations of the concurrent social order. 12 The third approach is concerned with the role of the unconscious, in particular the ‘primal scene’, ‘repression’ and ‘Otherness’.

This approach suggests that the overt contents of science fiction contemporaneously mirror the social trends and attitudes of the time. Thus such films can almost be taken as sociological evidence, albeit metaphorically, as reflections of the preoccupations of particular cultures. The second approach is the notion that science fiction films are ideological in that they are cinematic mediations of the concurrent social order. 12 The third approach is concerned with the role of the unconscious, in particular the ‘primal scene’, ‘repression’ and ‘Otherness’.

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