5500 Guitar Chords by Ashlund U.

By Ashlund U.

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It would seem that the ‘boy soprano’ indeed was a recognized genre of music hall act and the fact that a boy sung in a high voice may well have been regarded as relatively normal, with less of the ‘cute’ or ‘weird’ receptions of the present day. The coming of the cinema contributed to the decline of the music hall, but there is evidence that cinema audiences were prepared to hear a boy soprano perform as a live act. One such example was Thomas Criddle who was asked to tour the Granada cinemas as a result of his singing of Because in a talent competition at the Granada Empire in Edmonton (London).

Anything can be sold, but how it is used is another matter. Young people select and discard a huge range of available material, ideas, words and images with impressive speed. The past and other contemporary culture provide them with the material to create an individual style. (Roger Hill, 1997 quoted on p. 49) Singing as Social Control of Boyhood 39 This quotation, which recognizes the significance of identity creation, captures admirably the creative energy of youth that has been so obvious to me throughout my research.

The results of a web consultation, York: Joseph Rowntree Foundation. Wing Chan, T. and Goldthorpe, J. (2007), ‘The Social Stratification of Cultural Consumption: Some policy implications of a research project’, Cultural Trends, 16 (4), 373–83. Chapter 2 Singing as Social Control of Boyhood Introduction In the previous chapter I established that boys are young males engaged in an active process of identity construction. What a boy perceives his identity to be has a crucial bearing on whether or not he will sing at all, and if he does, how high he will sing.

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